![]() So when we were devising the curatorial programme for the Tanks, we thought about how these two aspects could come together. The Turbine Hall became a piazza-like social space. When Tate Modern opened, the public’s view of what a museum might be changed radically. ![]() ![]() Kathy Noble If you look at the evolution of museums, they were set up in a structured way to display and preserve objects. How would you describe your curatorial approach for the Tanks? The architect of the Tate Modern Tanks project, Jacques Herzog, has likened the series of spaces to an ‘instrument that can be played in many ways’. Simon Grant The many discussions on defining the various possible characteristics of the ‘museum of the twenty-first century’ have included: a place for global dialogues a new type of ‘social’ space and a laboratory of ideas.
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